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cutting across the grain

  • 1 cutting across the grain

    cutting across the grain HB, TE Schneiden n quer zur Faserrichtung, Querschnitt m (Holz)

    English-German dictionary of Architecture and Construction > cutting across the grain

  • 2 cutting perpendicular to the grain

    English-German dictionary of Architecture and Construction > cutting perpendicular to the grain

  • 3 Bewick, Thomas

    SUBJECT AREA: Paper and printing
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    b. August 1753 Cherryburn House, Ovingham, Northumberland, England
    d. 8 November 1828 Gateshead, England
    [br]
    English perfecter of wood-engraving.
    [br]
    The son of a farmer, Bewick was educated locally, but his progress was unremarkable save for demonstrating an intense love of nature and of drawing. In 1767 he was apprenticed to Ralph Beilby, an engraver in Newcastle. Wood-engraving at that time was at a low ebb, restricted largely to crude decorative devices, and Hogarth, commenting on a recent book on the art, doubted whether it would ever recover. Beilby's business was of a miscellaneous character, but Bewick's interest in wood-engraving was noticed and encouraged: Beilby submitted several of his engravings to the Royal Society of Arts, which awarded a premium of £80 for them. His apprenticeship ended in 1774 and he went to London, where he readily found employment with several printers. The call of the north was too strong, however, and two years later he returned to Newcastle, entering into partnership with Beilby. With the publication of Select Fables in 1784, Bewick really showed both his expertise in the art of wood-engraving as a medium for book illustration and his talents as an artist. His engravings for the History of British Birds mark the high point of his achievement. The second volume of this work appeared in 1804, the year in which his partnership with Beilby was dissolved.
    The essential feature of Bewick's wood-engravings involved cutting across the grain of the wood instead of along it, as in the old woodcut technique. The wood surface thus obtained offered a much more sensitive medium for engraving than before. It paved the way for the flowering of engraving on wood, and then on steel, for the production of illustrated material for an ever wider public through the Victorian age.
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    Bibliography
    1864, Memoir of Thomas Bewick (autobiography, completed by his daughter). 1784, Select Fables.
    Further Reading
    M.Weekley, 1963, Thomas Bewick, Oxford: Oxford University Press.
    LRD

    Biographical history of technology > Bewick, Thomas

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